![]() Milton agrees with common morality in expressing that the worth of an action depends on its motive - and that if there is no freedom, actions cannot have meaning because they will be automatic. The second important point that Milton establishes is that “to be entrusted with the possession of liberty,” one must “learn obedience.” Milton’s argument for man’s freedom is of a special kind: by evoking God, Milton associates his conception of divine justice with human liberty and thus ascribes a greater meaning to the relationship between freedom and obedience as seen in Paradise Lost. Milton establishes the model for freedom that will be mirrored against Adam and Eve’s concepts of freedom in Paradise Lost through two works: “Second Defense of the English People” and “The Verse.” In “Second Defense of the English People,” Milton states that “people cannot govern themselves and moderate their passions slaves their lusts,” determining that bondage is to conform to something low: in this case, the passions. Between these visions of freedom articulated in Book 9 - Eve’s definition of freedom as choice and Adam’s as obedience - Milton portrays Adam’s definition as the truer model because it reflects both Milton’s vision of human freedom as well the structural freedom of Paradise Lost itself. To depict the purpose of the epic - to make his readers better Christians - Milton sets up a struggle between two views of freedom. With regard to these conflicts, Milton primarily addresses an idea that Christian theologians continue to debate: what freedom means in accordance with God’s divine framework. In recreating God’s divine scheme of Mankind’s destiny, Milton knows his readers are aware of Adam and Eve’s fall from the start, and thus he is able to pull the focus away from ends and redirect it toward teasing out some of the fundamental conflicts of Christian doctrine. Although Paradise Lost features familiar elements of epics preceding Milton’s age - war, splendid nature, visions of the future, formidable journeys - his subject, the Fall of Mankind or recounting of Genesis, transforms the traditional significance of these elements, giving his epic a new aesthetic appeal as well as (what Milton believed to be) a divine purpose. Neither men offer a different series of events they just interpret th event differently through words and painting which is acceptable.The originality of Milton’s Paradise Lost lies in its ability to transform the predominantly secular spirit of Homer, Virgil, Boiardo, and other masters of literary epic into a theological subject outside of the tradition. The idea of the Fall of man is ideological and speaks to what religious expectations exist during this time. ![]() Furthermore, the Sistine Chapel would not exist as it does today. Michaelangelo’s father had hoped that his son would find his calling in literature because “artist are laborers, no better than shoemakers.” Had he not allowed for his son’s skill to flourish and advance, we could be discussing two parts of literature during this time, rather than comparing literature and art together. Ironically, Michaelangelo’s father was hesitant about allowing his son to pursue art he was adamant about his son taking up scholarship and academia. Simply put, lines 1-26 of Paradise Lost and the Temptation are both interpretations, artistic and literal, of what we have come to understand as the “Fall of man”. The proem of Paradise Lost, written by John Milton, is definitely a specific piece of literature that can be discussed with Michaelangelo’s “The Temptation and Expulsion From the Garden of Eden”. Is that considered good or obedience by force? Through his poem, Milton enlightens us with new questions and perspectives that challenges the faith of good versus evil. Milton questions what is the purpose of being good if it means serving as the slave of God and his demands. For Milton, this serves as the ultimate loss and source of sorrow within the world. They both highlight how the 16th Century was defined by religion and understanding their purpose in the world and living in the manners in which they do. Milton's "Paradise Lost" focuses on the fall of man, as does the painting. The poem creates the idea of freedom to practice one's own relationships in nature and its gifts, but also site religion as the inspiration of ethical behavior but has very little to say about the mystery of being. He argues that the a dominate institutions such as God and his angels in Heaven to infantilize human beings and to tell them where their mind can and cannot go. John Milton's poem "Paradise Lost" tells the cautious tale about being content with what God says through the theme of the book of Genesis and the story of Adam and Eve.
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